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Oil Paintings Come From United Kingdom
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Sir Peter Lely
1618-1680 Dutch (Resident In UK) Sir Peter Lely Art Locations Sir Peter Lely (14 September 1618 - 30 November 1680) was a painter of Dutch origin. He was the most popular portrait artist in England from soon after he arrived in the country in the 1640s to his death. He also owned a major collection of art, especially drawings by other artists. Lely was born Pieter van der Faes to Dutch parents in Soest in Westphalia,[1] where his father was an officer serving in the armed forces of the Elector of Brandenburg. Lely studied painting in Haarlem, where he may have been apprenticed to Pieter de Grebber. He become a master of the Guild of Saint Luke in Haarlem in 1637. He is reputed to have adopted the surname "Lely" (also occasionally spelled Lilly) from a heraldic lily on the gable of the house where his father was born in The Hague. He arrived in London in around 1641. His early English paintings, mainly mythological or religious scenes, or portraits set in a pastoral landscape, show influences from Anthony van Dyck and the Dutch baroque. Lely's portraits were well received, and he succeeded Anthony van Dyck as the most fashionable portrait artist in England. He became a freeman of the Painter-Stainers' Company in 1647 and was portrait artist to Charles I, but his talent ensured that his career was uninterrupted by Charles's execution, and he served Oliver Cromwell, whom he painted "warts and all", and Richard Cromwell. In the years around 1650 the poet Sir Richard Lovelace wrote two poems about Lely ?? Peinture and "See what a clouded majesty...." Two ladies from the Lake family, 1650. Held by the Tate Gallery.[1]After the English Restoration in 1660, Lely was appointed as Charles II's Principal Painter in Ordinary in 1661, with a stipend of £200 per year, as Van Dyck had enjoyed in the previous Stuart reign. Lely became a naturalised British subject in 1662. Demand was high, and Lely and his school were prolific. After Lely painted a sitter's head, Lely's pupils would often complete the portrait in one of a series of numbered poses. As a result Lely is the first English painter who has left "an enormous mass of work." Among his most famous paintings are a series of 10 portraits of ladies from the Royal court, known as the "Windsor Beauties", formerly at Windsor Castle but now at Hampton Court Palace; a similar series for Althorp; a series of 12 of the admirals and captains who fought in the Second Anglo-Dutch War, known as the "Flagmen of Lowestoft", now mostly owned by the National Maritime Museum in Greenwich; and his Susannah and the Elders at Burghley House. His most famous non-portrait work is probably Nymphs by a fountain in Dulwich Picture Gallery. Lely played a significant role in introducing the mezzotint to Britain, as he realized its possibilities for publicising his portraits. He encouraged Dutch mezzotinters to come to Britain to copy his work, laying the foundations for the English mezzotint tradition. Lely was knighted in 1680. He died soon afterwards at his easel in Covent Garden, while painting a portrait of the Duchess of Somerset. He was buried at St Paul's Church, Covent Garden. He collected Old Masters during his life, with examples by Veronese, Titian, Claude Lorrain and Rubens, and a fabulous collection of drawings. His collection was broken up and sold after his death, raising the immense sum of £26,000. Some items in it which had been acquired by Lely from the Commonwealth dispersal of Charles I's art collections, such as the Lely Venus, were re-acquired by the royal collection.

 

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Sir Peter Lely Thomas Clifford oil painting

Painting ID::  80265

X 
 

Sir Peter Lely
Thomas Clifford
Thomas Clifford, 1st Baron Clifford of Chudleigh (1630-1673), oil on canvas Date c1672 cjr
   
   
     

 

 

Sir Peter Lely Elizabeth Wriothesley, later Countess of Northumberland, later Countess of Montagu oil painting

Painting ID::  81294

X 
 

Sir Peter Lely
Elizabeth Wriothesley, later Countess of Northumberland, later Countess of Montagu
oil on canvas 120 x 95 cm Date 17th century cjr
   
   
     

 

 

Sir Peter Lely Portrait of Margaret Hughes oil painting

Painting ID::  81467

X 
 

Sir Peter Lely
Portrait of Margaret Hughes
Date ca. 1670(1670) Medium Oil cjr
   
   
     

 

 

Sir Peter Lely Charles Dormer, 2nd Earl of Carnarvon oil painting

Painting ID::  81627

X 
 

Sir Peter Lely
Charles Dormer, 2nd Earl of Carnarvon
oil on canvas 99 x 99 cm 1659 cjr
   
   
     

 

 

Sir Peter Lely Randolph Crewe oil painting

Painting ID::  81629

X 
 

Sir Peter Lely
Randolph Crewe
oil on canvas 123 x 93.5 cm Date 17th century cjr
   
   
     

 

 

Sir Peter Lely Portrait of an unknown woman oil painting

Painting ID::  81723

X 
 

Sir Peter Lely
Portrait of an unknown woman
ca. 1665(1665) Medium Oil on canvas Dimensions 141 x 139.7 cm (55.5 x 55 in) cyf
   
   
     

 

 

Sir Peter Lely Portrait of Bartholomew Beale oil painting

Painting ID::  81755

X 
 

Sir Peter Lely
Portrait of Bartholomew Beale
. 1670(1670) Medium Oil on canvas cyf
   
   
     

 

 

Sir Peter Lely Portrait of Richard Gibson oil painting

Painting ID::  81780

X 
 

Sir Peter Lely
Portrait of Richard Gibson
1658(1658) Medium Oil on canvas Dimensions 125.7 x 101.6 cm (49.5 x 40 in) cyf
   
   
     

 

 

Sir Peter Lely formerly known as Elizabeth Hamilton oil painting

Painting ID::  81823

X 
 

Sir Peter Lely
formerly known as Elizabeth Hamilton
ca. 1665(1665) Medium Oil on canvas Dimensions 141 x 139.7 cm (55.5 x 55 in) cyf
   
   
     

 

 

Sir Peter Lely Duchess of Richmond and Lennox oil painting

Painting ID::  84290

X 
 

Sir Peter Lely
Duchess of Richmond and Lennox
Oil on canvas Dimensions 125.8 x 102.7 cm (49.5 x 40.4 in) cyf
   
   
     

 

 

Sir Peter Lely Thomas Clifford oil painting

Painting ID::  84506

X 
 

Sir Peter Lely
Thomas Clifford
oil on canvas Date c1672 cyf
   
   
     

 

 

Sir Peter Lely Countess of Northumberland oil painting

Painting ID::  84705

X 
 

Sir Peter Lely
Countess of Northumberland
Oil on canvas Dimensions 120 x 95 cm (47.2 x 37.4 in) cyf
   
   
     

 

 

Sir Peter Lely Countess of Carnarvon oil painting

Painting ID::  86446

X 
 

Sir Peter Lely
Countess of Carnarvon
oil on canvas 50 x 39 cm cyf
   
   
     

 

 

Sir Peter Lely Bartholomew Beale oil painting

Painting ID::  87683

X 
 

Sir Peter Lely
Bartholomew Beale
oil on canvas 36 x 30 cm signed l.l: PL circa 1670 Date ca 1670 cyf
   
   
     

 

 

Sir Peter Lely County Kerry oil painting

Painting ID::  88866

X 
 

Sir Peter Lely
County Kerry
oil on canvas 109 x 86.5 cm cyf
   
   
     

 

 

Sir Peter Lely Portrat der Henriette von Frankreich, Konigin von England oil painting

Painting ID::  91547

X 
 

Sir Peter Lely
Portrat der Henriette von Frankreich, Konigin von England
1660(1660) Medium oil on canvas Dimensions Deutsch: 49 x 39 cm cjr
   
   
     

 

 

Sir Peter Lely Zwei Damen der Familie Lake oil painting

Painting ID::  93676

X 
 

Sir Peter Lely
Zwei Damen der Familie Lake
Date Deutsch: um 1650 English: c. 1650 Medium Deutsch: Leinwand Dimensions Deutsch: 128 x 184 cm TTD
   
   
     

 

 

Sir Peter Lely James II, when Duke of York oil painting

Painting ID::  93701

X 
 

Sir Peter Lely
James II, when Duke of York
Oil on canvas Date circa 1665(1665) cjr
   
   
     

 

 

Sir Peter Lely Earl and Countess of Oxford by Sir Peter lely oil painting

Painting ID::  94348

X 
 

Sir Peter Lely
Earl and Countess of Oxford by Sir Peter lely
cjr
   
   
     

 

 

Sir Peter Lely Sir Robert Worsley, 3rd Baronet oil painting

Painting ID::  94349

X 
 

Sir Peter Lely
Sir Robert Worsley, 3rd Baronet
oil on canvas, 42 ¼ x 33 ½ in. (107.3 x 84.5). cjr
   
   
     

 

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Sir Peter Lely
1618-1680 Dutch (Resident In UK) Sir Peter Lely Art Locations Sir Peter Lely (14 September 1618 - 30 November 1680) was a painter of Dutch origin. He was the most popular portrait artist in England from soon after he arrived in the country in the 1640s to his death. He also owned a major collection of art, especially drawings by other artists. Lely was born Pieter van der Faes to Dutch parents in Soest in Westphalia,[1] where his father was an officer serving in the armed forces of the Elector of Brandenburg. Lely studied painting in Haarlem, where he may have been apprenticed to Pieter de Grebber. He become a master of the Guild of Saint Luke in Haarlem in 1637. He is reputed to have adopted the surname "Lely" (also occasionally spelled Lilly) from a heraldic lily on the gable of the house where his father was born in The Hague. He arrived in London in around 1641. His early English paintings, mainly mythological or religious scenes, or portraits set in a pastoral landscape, show influences from Anthony van Dyck and the Dutch baroque. Lely's portraits were well received, and he succeeded Anthony van Dyck as the most fashionable portrait artist in England. He became a freeman of the Painter-Stainers' Company in 1647 and was portrait artist to Charles I, but his talent ensured that his career was uninterrupted by Charles's execution, and he served Oliver Cromwell, whom he painted "warts and all", and Richard Cromwell. In the years around 1650 the poet Sir Richard Lovelace wrote two poems about Lely ?? Peinture and "See what a clouded majesty...." Two ladies from the Lake family, 1650. Held by the Tate Gallery.[1]After the English Restoration in 1660, Lely was appointed as Charles II's Principal Painter in Ordinary in 1661, with a stipend of £200 per year, as Van Dyck had enjoyed in the previous Stuart reign. Lely became a naturalised British subject in 1662. Demand was high, and Lely and his school were prolific. After Lely painted a sitter's head, Lely's pupils would often complete the portrait in one of a series of numbered poses. As a result Lely is the first English painter who has left "an enormous mass of work." Among his most famous paintings are a series of 10 portraits of ladies from the Royal court, known as the "Windsor Beauties", formerly at Windsor Castle but now at Hampton Court Palace; a similar series for Althorp; a series of 12 of the admirals and captains who fought in the Second Anglo-Dutch War, known as the "Flagmen of Lowestoft", now mostly owned by the National Maritime Museum in Greenwich; and his Susannah and the Elders at Burghley House. His most famous non-portrait work is probably Nymphs by a fountain in Dulwich Picture Gallery. Lely played a significant role in introducing the mezzotint to Britain, as he realized its possibilities for publicising his portraits. He encouraged Dutch mezzotinters to come to Britain to copy his work, laying the foundations for the English mezzotint tradition. Lely was knighted in 1680. He died soon afterwards at his easel in Covent Garden, while painting a portrait of the Duchess of Somerset. He was buried at St Paul's Church, Covent Garden. He collected Old Masters during his life, with examples by Veronese, Titian, Claude Lorrain and Rubens, and a fabulous collection of drawings. His collection was broken up and sold after his death, raising the immense sum of £26,000. Some items in it which had been acquired by Lely from the Commonwealth dispersal of Charles I's art collections, such as the Lely Venus, were re-acquired by the royal collection.